Inwardness and Subjectivity in Early Renaissance

Autores

  • Carlos Roberto Ludwig Universidade Federal do Tocantins

Resumo

This essay proposes to analyse the concepts of inwardness and subjectivity based on the ambiguities implied in early Renaissance. The analysis is based on Maus’ and McGinn’s assumptions on inwardness, as well as Lacan’s mirror stage. It reads this development as a result of the ambiguities of the mimesis of inwardness in some works by Shakespeare. He represented inwardness in the silences, non-said, gestures, pathos, and anxiety of the characters in the play, which constitute the rhetoric of inwardness in the play.

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2020-01-25

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Ludwig, C. R. (2020). Inwardness and Subjectivity in Early Renaissance. Porto Das Letras, 4(2), 134–157. Recuperado de https://sistemas.uft.edu.br/periodicos/index.php/portodasletras/article/view/8296

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