LITERATURA GÓTICA E EXPRESSIONISMO LITERÁRIO
MANIFESTAÇÕES ESTÉTICAS DA DENÚNCIA DA OPRESSÃO DO SELF
DOI:
https://doi.org/10.20873/porletras/10Abstract
Possible to be established through multiple forms of violence, self’s oppression is the literary motif that this research claims to be a common thread between both Gothic and Expressionist worldviews and literary materialities. Our aim is to compare both aesthetical projects to understand, in a broader sense, what common points of interlocution they share, whether these features are installed by means of similitude between worldviews or by technical implications that fall upon language construction. We claim that Gothic literature (canonically instituted in 18th century) can be interpreted as proto-Expressionism, considering the shared ontological, thematic, and formal preoccupations with the 20th-century German avant-garde movement (Expressionism). Specifically, considering the wider ongoing research project that we develop within our institutional domain, we reserve special commentary regarding the literary inventory of the American writer William Faulkner (1897-1962) and intend to identify stimulating Expressionist inflections in Faulkner’s modernist Gothic.
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