#Somostodosnando: análise do discurso artístico de resistência da charge continuada

Abstract

This study analyzes a cartoon Genildo produced in the digital mobilization of support to also cartoonist Nando Motta raised by the class of Brazilian drawing professionals, in December 2021, due to the process opened by the owner of Havan stores, Luciano Hang, against this artist. The movement in question was part of an action known among members of the movement as continuous charge, which consisted in the reproduction and republication of similar versions of the censored work. The general objective of this work is to point out the ways in which, in this new type of statement, resistance to censorship is positioned. The research was mainly based on the studies of Zavam (2009), Araújo (2021), Paveau (2021), Liberatti (2022) and Scabin; Nabeiro (2022) and used the qualitative method, descriptive, bibliographic and documentary. The analysis showed an enunciative project that draws Hang in the direct act of silencing Nando Motta, allowing the interlocutor to experience the vision of censorship behind the gesture of criminalization of the cartoonist’s work, and thus join the group of drawing artists in understanding Hang as class enemy.