O IRROMPER DA MORAL FEMININA E SUA EMANCIPAÇÃO

UM ESTUDO SOBRE FRAME MORAL EM AMOR DE CLARICE LISPECTOR

Abstract

In this paper, we promote an analysis of the moral frame (LAKOFF, 1995, 1996, 2002) in the short story Amor by Clarice Lispector originally published in the 1960s. The subjective path through which the protagonist of the tale travels presents a moral dilemma that begins with current situation of stagnation and inertia caused by the reins of an essentially heteropatriarchal society until its dissonant outcome with the beginning of the narrative. Its conclusion leads to the transformation, both ideological and moral, of the character Ana, who guides her values ​​in resignification until her moral frame has adapted to the model of the severe father to the model of the nurturant father (LAKOFF, 1996). Until the breaking of her conformist notion and subjugated to a chauvinist society, Ana progresses her frame until she obtains a posture totally alien to what she initially had. Incidentally, the change in the moral frame leads to metaphors (LAKOFF; JOHNSON, 1980) in the superstructure of the text, which become evident as the reading progresses. The study is guided by a qualitative perspective (DENZIN; LINCOLN, 2005, SILVERMAN, 2000) and uses the methodological technique in an evidencial way (GINZBURG, 1989) taking impressions of Clarice Lispector's narratives.