A INFIDELIDADE DA MULHER MONSTRUOSA: A SUBVERSÃO DE PADRÕES DE FEMINILIDADE EM ZOFLOYA, OR THE MOOR (1806), DE CHARLOTTE DACRE
Keywords:
Gothic poetics, gender, monster, violence, sexualityAbstract
This work is dedicated to investigating how the violent woman, as a body unfaithful to the standards of femininity required of her class, subverts the docility and fragility of the so-called fair sex for her benefit. In doing so, by transposing the limits imposed on her and guaranteeing agency over her life, this woman undoes her position as an object in society and builds herself as a powerful and sovereign subject. To this end, this article rescues the gothic author Charlotte Dacre and her most celebrated work, Zofloya, or the Moor: a romance of the 15th-century (1806), to analyse how its protagonist, Victoria di Loredani, whom due to her cruelty and intense sexuality, plunges into her dark face and monsterises herself in order to conquer her desires. This process, however, is productive, because in doing so she opens her life to more active and free experiences so that she enjoys it fully.
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